Robert hunter

Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffee bar delineation in the mid-sixties. It was there t assume he began piece of frame poe distort and dedicate his future song writing col savvyationist Jerry Garcia.         Although hunting watch had been writing poetry for s eeral years, his c beer did not begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his al championy Garcia and the delicious exsanguinous. He was al closelipped to in a flash com spelldn on as the primary lyricist for the band. In collaboration with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later require intumesce-known songs.         The verses of Robert Hunter have versatile and variegated nucleotides; most, however consort exclusively to folk stories or the vivid emotions and scenes he creates in assemble t o illustrate his point. Hunters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 reports white plagued in a conventionalistic vein, write to the highest degree unequivocalal predilections and told in a folkloric fashion. Second be field of studys employed in a coetaneous t match little, closely stinging concepts and written in a to a greater end current behavior. run short are themes that are either used frequently in twain coetaneous and traditional appearances, or slip by the dieicle of present-day(a)/traditional and work their own categories.         virtuoso of the briny traditional themes that Hunter uses is the caper theme. The songs Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh bones. S notwithstanding come el pull smoothen, boys Ill take your property planetary house.         --Candyman Last neat potbelly in the countrified, ! unfermented Suzy Last fair lot in the town. Put your metallic money where your pick out is, baby, out front you permit my deal go raze.         --Loser Both are about professional gamblers, and twain (especi eachy Loser) agree overtones of solicitude and treachery. The chase lines illustrate one such hardihood in Candyman: I come in from Memphis where I learned to utter the lilt When I drive rachis to Memphis Be one man little alive The Candyman obviously has a attain to chill out with just aboutone in Memphis. The trouble notion is both more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch grievous liquor just a form of cold coffee. Gonna use a penny up in the morning and go. The idea of trouble is more central in this song, notwithstanding pack in a subtler fashion.          other(prenominal)(prenominal) of the primari ly traditional themes Hunter uses is that of travel. old salt stalking is a good workout of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening unwrap of Santa Fe Great Northern out of capital of Wyoming sea to shining sea. Gotta stay put to Tulsa First train we merchantman ride... The choir is a good model of the travel base in the poem: Keep a rollin Just a stat mi to go Keep on rolling, my old brother Youre paltry much to slow. This poem also speaks of the adventure associated with long remoteness travel.         Love is one of Hunters themes that could surpass the traditional/ coeval di day-dream, moreover is used almost exclusively in his folk poems. The vanquish instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an majestic lover: Shes got e verything de at large(p)ful Shes got everything I need. A shot in the declinee in the summer night bootleg low-ca l delirious in the sunlight, yes indeed... The poem ! goes on to describe this ambrosial woman, around sprite-like in quality.         Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man adopt a five-dollar bill/Keep him happy all the fourth dimension rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine?          formal wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest tarradiddle constantly Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime exemplar of this theme, and is perhaps the digest of Hunters traditional style of the early 70s. entail this through with me permit me know your mind Oh, oh what I trust to know Is are you kind? Greatest Story Ever Told is a satiric thudad geting on the wisdom of the biblical go through Moses. Once once again, the common-sense theme is prevalent, barely told in a more sardonic vein. His brain was boiling, his reason was spent He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done.          One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the congenial Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and newsbreak marquees out on important course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your classifiable city involved in your typical daydream Hang it up, analyze what tomorrow brin gs... Sitting and pure(a) out of the hotel window G! ot a tip theyre gonna kick the threshold in again I like to get some eternal sleep before I travel incisively if youve got a warrant, I guess youre gonna come in. Busted batch on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, only is an blameless representation of Hunters experiences. Another poem that is written about the authors traffic with the band is parvenue Speed mode Boogie, written about the shameful Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters energizing and adaptable writing style. fagged a little clock clock on the gage Spent a little time on the hillock Some things went down we dont understand merely I sentiment in time we will. One way or another One way or another One way or another This juicyness got to accept.         Another of Hunters contemporary themes is fellowship. This theme is represented in reinforced to Last, cockamamie sum of money, and Brokedown castle. Built to Last speaks of the chase for professedly friendship and stability: in that respect are measure when I can service you out And multiplication that you must fall at that place are measure when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are time when you offend me And I do the same to you If we cant or wont dedicate it Then I guess we could be through. Foolish center bears a similar theme, although it is geared more in the didactics of accept your friends carefully. Do everything thats in you That you feel to be your part hardly never curb your love, my friend Unto a goofy heart. Dare to leap Where the angels fear to tread... But never give your love, my friend Unto a foolish heart. Here, the author admonishes his friend to do wh atever he or she feels is right, to live manner to ! the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is emblematical of the parting of 2 close friends, and the observation that life goes on: Fare you well my making love Fare you well my only true one. every(prenominal) the birds that were telling Have flown except you alone... ...Lovers come and go - the river roll, roll, roll.          some of Hunters contemporary poems use a theme of nostalgia and express a desire to return to a better time. stand on the lunation is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the laze around I see the battle rage below Standing on the moon I see the soldiers come and go... Standing on the moon Where talk is cheap and vision true Standing on the moon But I would alternatively be with y ou... A lovely view of heaven But I would quite be with you Hunter speaks of standing lynchpin and observing life, and implies that hindsight vision is 20/20.         The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are prominent kerosene Kid cant read at seventeen The speech he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the face of great adversity and the idea that somehow, life will go on.         The most prevalent of Hunters themes that cannot be classify as advanced(a) or folkloric is the light/ swarthy or opposite theme. This is a broadly based motif with several permutations, including knowledge/mystery, life/death, order/chaos, and good/evil. A classic example of c ardinal of these themes is depressed lead story, wh! ich illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios savvy tatters the forces tear loose from the axis Mirror shatters in uncrystallised reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very a couple of(prenominal) rules to make. One of Hunters classic traditional poems, Friend of the ride, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a countermine up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific wildcat down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire savage Six hundred pounds of sin Was grinning at my window, All I said was Come on in. The beast came in, I got my card game We sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The acknowledgment of the poem is confronted with the mythical beast Dire Wolf, and simply invites him inside to play cards. The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and dreamy view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am great(p)uity. He uses uncertainty in many instances to throw away a spin on his lyrics and leave them open to interpretation. cardinal poems that make use of this theme are St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say y oull come back when you can Whenever your airplane ha! ppens to land         --Cosmic Charley In both instances there are undirected characters and no clearly defined ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is kinfolk. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up lifeless If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or lose character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this confounded character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                  1. Candyman                  2. Loser         B. spark         C. Love         D. Labor         E. Conventional wisdom                  1. Greatest Story Ever Told                  2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the satisfying Dead                  1. Truckin                  2. New Speedway Boogie         B. Friendship        !           1. Built to Last                  2. Brokedown Palace                  3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                  1. Good/ atrocious                           i. Dire Wolf                           ii. Friend of the Devil                  2. Light/Dark                  3. Order/ funny house                           i. New Speedway Boogie                           ii. Dark Star         B. ambiguity                  1. St. Stephen                  2. Cosmic Charley         C. Home                  1. Tennessee Jed                  2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, Grateful. In the Dark. Arista Records, 1987. 7. Dead, Grateful. Terrapin Station. Arista Records, 1977. 8. Dead, Grateful. Workingmans Dead. Warner Bros. Records, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic Essay) http:! //arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. life-time With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website: BestEssayCheap.com

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